Come see fresh ten-minute plays by Northwest writers!
January 26 – February 4, 2024
7:30 p.m. and 2 p.m. performances; please check the schedule.

Come see fresh ten-minute plays by Northwest writers!
January 26 – February 4, 2024
7:30 p.m. and 2 p.m. performances; please check the schedule.

Rich Rubin’s full-length drama BOOK OF REVELATION was selected as one of six finalists for the 2023 (inaugural) Clive Awards, presented by New York City’s Fellowship for Performing Arts.

Congratulations to E. M. Lewis! The 1st Stage production of HOW THE LIGHT GETS IN, in Tysons, Virginia, was nominated for eight Helen Hayes Awards, including best production, ensemble, and director.

Congrats to Josie Seid for winning Best Supporting Performer in a Play for her work in SEVEN GUITARS with PassinArt Theatre Company.

21ten’s Sunday reading series returns with a presentation of a comedy by Rich Rubin. The winner of the 2019 Portland Civic Theatre Guild New Play Award, Shakespeare’s Skull is a rollicking comedy about William Shakespeare and the grave-robbers who loved him.
January 21, 2024, 7-9:00 p.m.

SHERLOCK HOLMES AND THE CASE OF THE FALLEN GIANT — a new opera by composer Evan Meier and librettist E. M. Lewis — has its professional world premiere at Opera Modesto in California this month, after its academic premiere at Portland State University in November/December.

THE IMPORTANCE by Sara Jean Accuardi will be presented by Teen West at Ida B. Wells High School, December 8-12, 2023.


Rich Rubin’s short comedy SMOOTH OPERATOR will receive a Zoom reading by Moving Parts Theatre Group (Paris) on December 10, 2023.

Congrats to Rich Rubin, whose screenplay COSTA REHAB is a semifinalist in the 2023 New York Metropolitan Screenwriting & Film Awards and winner of Best Comedy Script at the Amsterdam Movie Fest!


Shaking the Tree is presenting Ken Yoshikawa’s newly devised piece, WE WROTE THIS WITH YOU IN MIND.
February 10 – March 2, 2024
“This is a play for our ancestors. It’s a play for our families. It’s about seeking & waiting for a seemingly nameless grief to arise. It’s about longing after an abandonment. It’s about returning. It’s about the petty sadness that crowns existential dread. It’s about confronting that which would be easier forgotten. We wrote this with you in mind.”
